Θα ήθελα εδώ να παραθέσω μονάχα την κατηγορία Early years (1929–1952) από τη βιογραφία τουAlejandro Jodorowsky Prullansky (Spanish: [aleˈxandɾo xoðoˈɾofski]) (born 17 February 1929)is a Chilean-French filmmaker, playwright, actor, author, musician, comics writer and spiritual guru. Best known for his avant-garde films, he has been "venerated by cult cinema enthusiasts" for his work which "is filled with violently surreal images and a hybrid blend of mysticism and religious provocation."
θεωρώντας την ως πιο ενδιαφέρουσα καθώς επίσης και έναν ικανοποιητικό λόγο που να εξηγεί τον κεραυνοβόλο έρωτά μου(ναι, υπάρχει) προς εκείνον, όπου υπογράμμισα τα βασικότερα κατ'εμέ:
Αφού καθησυχάστηκα τελικά πως δεν επρόκειτο περί ενός ακόμα βαρετού, σοβαροφανή τυπάκου, συνέχισα το διάβασμα που τόσο απεχθάνομαι. Παραθέτω λοιπόν με χρονολογική σειρά την φιλμογραφία:Early years (1929–1952)
Jodorowsky was born in 1929 in the coastal town of Tocopilla, Chile to parents who were Jewish immigrants from Yekaterinoslav (act. Dnipropetrovsk), Elisavetgrad (act. Kirovohrad) and other Ukrainian cities of the Russian Empire. His father, Jaime Jodorowsky Groismann, was a merchant who was largely abusive to his wife Sara Felicidad, at one time accused her of flirting with a customer. Angered, he subsequently beat and raped her, getting her pregnant, which led to the birth of Alejandro. Because of this brutal conception, Sara both hated her husband and disliked her son, telling him that "I cannot love you" and rarely showing him tenderness. Alejandro also had an elder sister, but disliked her for he believed that she was selfish, doing "everything to expel me from the family so that she could be the centre of attention." Alongside his dislike for his family, he also held contempt for many of the local people, who viewed him as an outsider because of his status as the son of immigrants, and also for the American mining industrialists who worked locally and treated the Chilean people badly. It was this treatment at the hands of Americans that led to his later condemnation of American imperialism and neo-colonialism in Latin America in several of his films. Nonetheless he liked his local area, and was greatly unhappy when he was forced to leave it aged nine years old, something he blamed his father for. His family subsequently moved to the city of Santiago, Chile.
He immersed himself in reading, and also began writing poetry, having his first poem published when he was sixteen years old, alongside associating with such Chilean poets as Nicanor Parra and Enrique Lihn. Becoming interested in the political ideology of anarchism, he began attending college, studying psychology and philosophy, but stayed for only two years. After dropping out, and having an interest in theatre and particularly mime, he took up employment as a clown in a circus and began a career as a theatre director. Meanwhile, in 1947 he founded his own theatrical troupe, the Teatro Mimico, who by 1952 had fifty members, and the following year he wrote his first play, El Minotaura (The Minotaur). Nonetheless, Jodorowsky felt that there was little for him left in Chile, and so that year he moved to Paris, France.
Από αυτά, ξεχώρισα τα παρακάτω για λόγους που βαριέμαι ελεεινά να εξηγήσω αλλά απορρίψτε την ειλικρίνειά μου και θεωρείστε απλά πως δεν το αναλύω για το σασπένς:1957 La cravate(short)
1965 Teatro sin fin(short)
1968 Fando y Lis
1970 El Topo
1973 The Holy Mountain
1989 Santa Sangre
1990 The Rainbow Thief
2013 The Dance of Reality(upcoming)
Αυστηρά ακατάλληλο για ενηλίκους.El Topo and The Holy Mountain (1970–1974)
In 1970, Jodorowsky released the film El Topo, which is sometimes known in English as The Mole, which he had both directed and starred in. An acid western, El Topo tells the story of a wandering Mexican bandit and gunslinger, El Topo (played by Jodorowsky himself), who is on a search for spiritual enlightenment, taking his young son along with him. Along the way, he violently confronts a number of other individuals, before finally being killed himself and being resurrected to live within a community of deformed people who are trapped inside a mountain cave. Describing the work, he stated that "I ask of film what most North Americans ask of psychedelic drugs. The difference being that when one creates a psychedelic film, he need not create a film that shows the visions of a person who has taken a pill; rather, he needs to manufacture the pill." Knowing how Fando y Lis had caused such a scandal in Mexico, Jodorowsky decided not to release El Topo there, instead focusing on its release in other countries across the world, including Mexico’s northern neighbour, the United States. It was in New York City where the film would play as a "midnight movie" for several months at Ben Barenholtz’s The Elgin cinema. It attracted the attention of rock musician and counter-cultural figure John Lennon, who thought very highly of it, and convinced the president of The Beatles' company Apple Corps, Allen Klein, to distribute it in the United States.
Klein also agreed to give Jodorowsky $1 million to go towards creating his next film. The result was The Holy Mountain, released in 1973. It has been suggested that The Holy Mountain may have been inspired by Rene Daumal's surrealist novel Mount Analogue. The Holy Mountain was another complex, multi-part story that featured a man credited as "The Thief" and equated with Jesus Christ, a mystical alchemist played by Jodorowsky, seven powerful business people representing seven of the planets (Venus and the six planets from Mars to Pluto), a religious training regimen of spiritual rebirth, and a quest to the top of a holy mountain for the secret of immortality. During the completion of The Holy Mountain, Jodorowsky received spiritual training from Oscar Ichazo of the Arica School, who encouraged him to take LSD and guided him through the subsequent psychedelic experience. Around the same time (2 November 1973), Jodorowsky participated in an isolation tank experiment conducted by John Lilly.
Σημείωση: Το μήνυμα αυτό γράφτηκε πάνω από 3 χρόνια πριν. Ο συντάκτης του πιθανόν να έχει αλλάξει απόψεις έκτοτε.